"It's a substantial mystery flavored with historical
dialogue in keeping with the era...In fact, the writer offers
up the story as if she were there and was simply recounting what
she experienced. A splendid mystery in a promising new series."
--Brenda Weeaks, MyShelf.com
"Rizzolo provides oddly relevant mystery fare..."
---Publishers Weekly
Pageonelit.com: Where did you grow up and were
reading and writing a part of your life? Who were your earliest
influences and why?
S.K. Rizzolo: My father was an Arkansas farm
boy who grew up to work in the oil business, so I was raised
in Libya and Saudi Arabia. For all that, I managed to have a
pretty sheltered childhood filled with lots of stories and daydreaming.
Big influences were books like Jane Eyre and
Oliver Twist as well as the works
of E. Nesbitt, C.S. Lewis, and Susan Cooper. I was always that
nose in book sort of kid who found fictional worlds more real
than real.
Pageonelit.com: Why do you write?
S.K. Rizzolo: Ask me that as I juggle parenting,
teaching, and general craziness, and you may not get a printable
answer! I write to have written, I suppose, to fulfill what for
me is always the very large, often overwhelming goal of holding
that finished book in my hand. I think many writers are themselves
avid readers who want to add their bit to keep the written word
alive.
Pageonelit.com: Tell us about your novel The
Rose in the Wheel A Penelope Wolfe/John Chase Regency Mystery?
S.K. Rizzolo: Set in 1811 London, the novel
explores the murder of an eccentric lady philanthropist who is
strangled, then run down by a carriage. The sleuths are John
Chase, a crafty, crusty Bow Street Runner, and Penelope Wolfe,
a young mother whose imprudent marriage has left her largely
to her own slender resources. Penelope is drawn into the case
when her ne'er-do-well husband comes under suspicion for the
crime. The book introduces a large cast of characters from all
walks of life such as a melancholic barrister, a
benevolent
"thieves' attorney," and a common street rat.
So, unlike many Regency novels, this is not a book about the
polished, restrained gentry, a segment of society that in actuality
represents only a narrow slice out of the range of possible experiences
at the time. That's why I made Penelope the daughter of an expatriate
radical philosopher and the wife of an artist. She's not of the
polite world really, though she is a lady. Her background helps
me get away with some rather unconventional behavior on her part.
Pageonelit.com: What inspired your book?
S.K. Rizzolo: It all started with a bit of lore
I read about St. Catherine of Alexandria, a 4th century Christian
martyr who was bound to a spiked wheel because she refused to
marry a pagan emperor. God destroyed the wheel whereupon Catherine,
after suffering the more merciful death of beheading, went to
her eternal reward.
Anyway, in one particular St. Catherine chapel high above
the Dorset coast, there are niches or 'wishing holes' in which
young girls seeking a husband would drop pins and recite a rhyme.
For some unknown reason, this story fascinated me so much that
I had to go all the way to Dorset to see the chapel. In the book,
my murder victim, the charismatic Constance Tyrone, revives the
St. Catherine legend.
Pageonelit.com: What specific challenges did
you face in bringing your characters to life?
S.K. Rizzolo: There's a sentence in The Rose
in the Wheel: "At dusk in Temple Gardens, the barrier
between past and present turned fluid and ghosts walked."
I think that's what historical novelists attempt to do: make
ghosts walk, resurrect the faint voices of the past. I think
the echoes are there, but we have to listen carefully.
That's why London continues to be such an inspiring setting--all
those layers of history. Quite amazing for a California person
like me.
Pageonelit.com: What has been your feedback from
readers and book reviewers regarding your books? What do they
like about the books?
S.K. Rizzolo: The reviews for the first in the
series have been very positive. People tell me the book is well
researched and that the characters, especially Penelope Wolfe,
are compelling. I am always thrilled to hear that since I try
to create characters who accurately reflect their particular
historical moment yet who are also accessible to modern readers.
For instance, I think readers can easily identify with Penelope's
love and concern for her daughter or with her desire to make
her own mark in the world.
Pageonelit.com: Tell me about your publishing experience
-- The good, the bad and the ugly.
S.K. Rizzolo: When I finished Rose
in '97, I was lucky enough to find an agent almost immediately
and thought my troubles were over. However, after collecting
a stack of lovely rejection letters, I realized that the wheels
would not be turning that quickly! A few years later I opted
to try smaller publishers on my own and found Poisoned Pen Press.
I feel fortunate now to work with such well-respected and dedicated
professionals.
Pageonelit.com: What's next?
S.K. Rizzolo: I put my head down and finish
the sequel, BLOOD FOR BLOOD, due out in 2003. In this
book, Penelope Wolfe becomes a companion to a lady of fashion,
a highly unsuitable calling for someone of
her
temperament. But her mettle is soon tested when one of the footmen
turns up with a knife to the heart in the garden. Set in the
restless and violent spring of 1812 when the Luddites were on
the march and Lord Byron took London drawing rooms by storm,
Blood for Blood also touches on
millennial politics and religious extremism.
Pageonelit.com: What was the last book you read?
S.K. Rizzolo: BLACK DOG by Stephen Booth,
a very entertaining read.
Pageonelit.com: Do you have any hobbies? What are
they? How do they enhance your writing.
S.K. Rizzolo: Well, my various career and family
pursuits keep me extremely busy, but I do enjoy travel, especially
to England. Luckily, my husband Michael, another former English
major, shares this obsession with me and is also willing to lend
his creative spirit to our stories. The last time we were there
we retraced the steps of our nineteenth century characters, an
amazing experience which, I think, added dimension to the novel.